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Bruce Faulconer Best Of Dbz Vol 2 Rarezas카테고리 없음 2020. 2. 16. 10:48
ReleasedMay 8, 2001 ( 2001-05-08)RecordedAnimeLength57: 40Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Volume I is the first release from the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was written and composed by Bruce Faulconer, produced by Faulconer Productions Music and released on May 8, 2001. Track listing.
Dragon Ball Z. Call Out the Dragon. Future Trunks.
Gohan Fights Frieza. The Makyo Star. Garlic Jr. Theme.
King Cold. Frieza's Revival. Heroic Trunks. Android 16.
Perfect Cell Runs. The Howling. Android 17 & 18. Destruction. Gohan & Icarus. The Cell Games. 16 Rips Off Cell's Tail.
Vegeta's Theme. Vegeta Powers Up.
Vegeta - Super Saiyan. The Dragon Theme. Hyperbolic Time Chamber. Goku's Spirit Bomb.
Super Namek. Pikkon's ThemeVolume II Dragonball Z American Soundtrack Best of Dragonball Z: Volume IIby. ReleasedMay 8, 2001 ( 2001-05-08)RecordedAnimeLength61: 11Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Volume II is the second release from the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was written and composed by Bruce Faulconer, produced by Faulconer Productions Music and released on May 8, 2001. Track listing.
Hyperbolic Time Chamber. Goku and Gohan Train. Goku and Kai Face Off. Cell and Piccolo Face Off. Piccolo Angry. Piccolo and 17 Talk. Piccolo vs.
17. Androids Steal Truck. Groovy Discotech. Cell at Ball Club. Cell at Carnival. Weird Circus. Electronic Circus.
Cell Contacts Goku. Imperfect Cell Theme. Cell Is Dead?. Cell Powers Up. Demon Mist. Dead Zone. Frieza vs.
Spirit Bomb 1. Frieza vs. Spirit Bomb 2.
Frieza's Death. Earth Music. Ginyu Transformation.
Goku's SSJ Transformation. Space Room.
Mysterious Person. Supreme Kai's Theme. Goku and Gohan in Time Chamber. Goku Battles 19. Goku RecoversVolume III Dragonball Z American Soundtrack Best of Dragonball Z: Volume IIIby.
ReleasedMay 8, 2001 ( 2001-05-08)RecordedAnimeLength65: 23Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Volume III is the third release in the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The music contained on the soundtrack was composed and performed by Bruce Faulconer, and was recorded at CakeMix Recording. The album was released by Faulconer Productions Music on May 8, 2001. Track listing.
Wrestling Rock with Lead. Frieza Base. Trunks Appears.
Trunks Powerup. Perfect Cell Theme. Droids vs.
Bikers. Yamcha Meets Droids. Country Store. Grand Kai Blues.
Grand Kai Rocks. Ox King Consoles. Truckin' 2. Underwater. Kame Sad.
Kame Tough. Aristocratic British. Aerobics. Sage Music. Gohan Angers 2.
Gohan Angers. Cell Juniors Theme.
Vegeta Knows His Son. Gohan on Film. Goku Dies. Long Flashback. Gohan Powers Up. Mushroom March.
Flight Training. Trunks and Goten. Videl Gets Hit.
Videl Gets Up. Mysterious B. Videl Plummets.
Trunks and Goten Spar. 18 And Mighty Mask Standoff. Doubler's Prelude. Gohan vs.
Doubler. Gohan vs. Doubler II. Vegeta's Red Power.
Pre-BuuVolume IV Dragonball Z American Soundtrack Best of Dragonball Z: Volume IVby. ReleasedAugust 5, 2003 ( 2003-08-05)RecordedAnimeLength61: 00Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Volume IV is the fourth release from the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was written and composed by Bruce Faulconer, produced by Faulconer Productions Music and released on August 5, 2003.
Track listing. Frieza Transforms. Planet Namek Destruction. Energy Disk Music. Frieza Begs.
Android 20 Destroys City. 19 Almost Kills Goku.
Eerie. Cell Theme (With Choir). Cell and Piccolo Fight. Cell Transforms.
16 and the Squirrels. King Kai. King Kai Dies. Snake Way. Kame's Tale. Cell Returns.
Bruce Faulconer Best Of Dbz Vol 2 Rarezas 1
New Earth Music. Wimps Get Whacked. Goten's Lizard.
Nail's Gift. Trunks Wins. Pui Pui Fights Vegeta.
Pui Pui Struggles. Room Music. Yucon Sucks.
Goku and Kai Standoff. Relief Rock. Satan Gives Speech. Goku Vs. Vegeta.
Trunks Jumps In. Boys Put to Sleep. Turbulence. SSJ3 Power Up. Tourney Talk. Kid Buu Is Waiting. Buu Is Fighting.
Pan's Song. Uub in the Tournament. DBZ FinaleTrunks Compendium I Dragonball Z American Soundtrack Best of Dragonball Z: Trunks Compendium Iby. ReleasedAugust 5, 2003 ( 2003-08-05)RecordedAnimeLength61: 00Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Trunks Compendium I was the fifth release in the Dragon Ball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was composed by Bruce Faulconer and was recorded at CakeMix Recording.
It was released by Faulconer Productions Music on August 5, 2003. This album is considered a character album, featuring music related to one of Faulconer's favorite characters,. Track listing. Mysterious Youth. Prelude to Conflict. Prince of the Saiyans. The Eyes and the Sword.
Battle Preparations. Palace in the Clouds.
Training. Race to the Island. Trunks Meets Goku. Trunks Story.
Time Chamber. Androids. You're Fighting the Wrong Androids. Android Battle. Mysterious Youth Revealed. Home Sweet Home.
Back at the Lab. 400 GS. SSJ Trunks. Trunks vs. Cell. A Little Help from a Friend. The Saga ContinuesBonus Tracks.
DBZ Episode #120, Part I. DBZ Episode #120, Part IIBuu the Majin Sagas Dragonball Z American Soundtrack Best of Dragonball Z: Buu the Majin Sagasby.
ReleasedAugust 5, 2003 ( 2003-08-05)RecordedAnimeLength61: 00Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Buu the Majin Sagas is the sixth release from the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was written and composed by Bruce Faulconer, produced by Faulconer Productions Music and released on August 5, 2003. Track listing. Vegeta Gets Bean.
Majin Theme. Turned to Stone. Gohan vs Doubler III. Gohan vs Doubler IV. Babidi Casts Spell.
Majin-Vegeta. Panic. Vegeta vs. Goku. Buu's Theme.
Evil Majin Theme. Buu Takes Eyes. Babidi and Buu. Goku Senses Buu. Buu Eats Cookie. Mystery of the Z-Sword.
Buu Takes Punch. Buu Throws Worm. Spirit Bomb Triumphant. Buu Busts Out. Piccolo and Babidi.
Bad News. Van Zant's Ride. Old Kai's Dance. Scary Buu. Evil Buu. Road to the Chamber.
Super Buu. Buu Anticipates. Kid Buu. Goku Trains For BuuAndroid 18 Dragonball Z American Soundtrack Android 18: The Android Sagasby. ReleasedSeptember 9, 2003 ( 2003-09-09)RecordedAnimeLength42: 42Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Android 18: The Android Sagas is the seventh release from the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was written and composed by Bruce Faulconer, produced by Faulconer Productions Music and released on September 9, 2003. This is a character album dedicated to.
Track listing 1. 'Android 18'2. 'Android Compendium'1. 17 - 18 Episodic Theme 2. Android Shoots 3. 17 & 18 Kill All 4. 17 - 18 Flashback 5.
Serious to Eerie Suspense 6. 17 & 18 Kill All, v2 7. Tien Finds Yamcha 8. Androids Extended 9. Civilians 10.
17 Rebels 12. 16 Charges 13. 17 - 18 Extension 14. 17 - 18 Episodic Theme 15. 19 Attacks Goku 16. Androids, With Effects 18. 16 in Lab - Hits 20.
Android Chase 21. Droids Driving 22. Beyond Belief, Fast Remix 23.
Weird & Backwards 24. Gang Fight 25. 17 - 18 Face Off 26.
20 Catches Krillin 27. Weird Circus, with Trumpet 28. Piccolo Disarms 20 29. Hunter (with delay) 30.
Gero Dies 31. Beyond Belief Techno 32.
Truck Explodes 33. Piccolo Attacks 20 34. Techno Flying 35.
17 Charges 36. Androids Extended3. 'Android 18 Dance Mix'Volume V Dragonball Z American Soundtrack Best of Dragonball Z: Volume Vby. ReleasedJuly 13, 2004 ( 2004-07-13)RecordedAnimeLength60: 02Faulconer Productions MusicFaulconer Productions MusicDragonball Z American Soundtrack Best of Dragonball Z: Volume V is the eighth release from the Dragonball Z American Soundtrack series of the anime Dragon Ball Z. The soundtrack was written and composed by Bruce Faulconer, produced by Faulconer Productions Music and released on July 13, 2004.
Track listing. Goku vs. Jeice & Burter. Goku's Theme. Ginyu Force Theme. Piccolo and Nail Fuse.
Goku's Nightmare. Say Goodbye to Namek.
Mr. Shu's Lesson. Mr. Cake Mix Recording. Retrieved February 10, 2009. Faulconer Productions Music. Retrieved February 10, 2009.
Faulconer Productions Music. Retrieved February 2, 2009. Faulconer Productions Music. Retrieved February 2, 2009. Faulconer Productions Music. Retrieved February 2, 2009. Faulconer Productions Music.
Retrieved February 2, 2009. Faulconer Productions. Retrieved February 2, 2009. Faulconer Productions Music. Retrieved February 2, 2009.
Faulconer Productions Music. Retrieved February 2, 2009. Faulconer Productions Music.
Retrieved February 2, 2009.
I don't understand the hate for the Faulconer tracks. They add so much to the show. Look at the choreography in the Goku - Frieza fight. To take a simple example, between cuts to and fro the two characters in one episode, the theme played shifts based off who's in the camera, and each one becomes deeper the more the camera zooms in and as Freiza's expression sours. It's simple but it works. What did the Japanese equivalent have? Some whatever orchestral piece, or nothing?
They're not bad but for an action show aimed at children they fail to draw me in nearly as well. I don't understand the hate for the Faulconer tracks. They add so much to the show. Look at the choreography in the Goku - Frieza fight. To take a simple example, between cuts to and fro the two characters in one episode, the theme played shifts based off who's in the camera, and each one becomes deeper the more the camera zooms in and as Freiza's expression sours. It's simple but it works. What did the Japanese equivalent have?
Some whatever orchestral piece, or nothing? They're not bad but for an action show aimed at children they fail to draw me in nearly as well. I don't understand the hate for the Faulconer tracks. They add so much to the show.
Look at the choreography in the Goku - Frieza fight. To take a simple example, between cuts to and fro the two characters in one episode, the theme played shifts based off who's in the camera, and each one becomes deeper the more the camera zooms in and as Freiza's expression sours. It's simple but it works. What did the Japanese equivalent have? Some whatever orchestral piece, or nothing?
They're not bad but for an action show aimed at children they fail to draw me in nearly as well. I don't think it adds anything, it's merely distracting and covering for lack of good voice acting. The original lets everything come together for scenes; the sound effects, the voice acting, and the music. Nothing completely overpowers the other, we're given a sense of levity based on what we're hearing or not hearing.
You never get that in the Falconer score. The music is always there, always loud, and it always overpowers every scene its in. Sure, there's a few moments where it actually works quite well for the scene but even a broken clock is right twice a day.
It never felt part of the DNA of the series (as someone who grew up with it and loved DB/DBZ, I still did notice the music was awkward a lot of the time). I find it to be akin to how Suicide Squad felt like a mishmash of music videos made into an entire movie. The Falconer stuff feels extremely amateur because of how it's shoved into the whole series.But honestly, the Falconer soundtrack isn't even the worst part of the dub.
It's the script. It completely changes characters and context for most situations to fit a more typical 'superhero' feel.Edit. Except for the fact that every single other dub in the world did not have the Faulconer soundtrack, yet Dragon Ball Z was still a massive hit world wide.People act like the Faulconer track is somehow solely responsible for Z's success in America, yet that's not even true. The Ocean Dub had an entirely separate soundtrack, yet it was also well received. What helped DBZ succeed was its run on Toonami at the right time.There's no reason to believe, given the success of the franchise world wide, that we needed an inaccurate dub with changed music to take off in America, as long as it ran in the right place at the right time.All the nostalgia in the world can't get me back into this music. It really doesn't fit the series 95% of the time, and it is incapable of silence for appropriate scenes.FUNimation is never going back to that company that replaces musical scores, and that's a good thing.
Bruce Faulconer Best Of Dbz Vol 2 Rarezas Full
Sadly, what remains of 4Kids will probably keep doing that to Yu-Gi-Oh! Forever.They're definitely also never going to work with Bruce Faulconer again given how that business relationship ended. I've said it before, but while I think the original JP score is well composed and catchy at many moments, it's not fitting AT ALL.
I mean, for Kami's sake, it's a show about aliens and space travel and lasers and shit. It should not sound like a the score from a 50s era Godzilla movie.And yes, I know someone's going to say 'bubububu haven't you ever seen a Sentai series? That's what DBZ is imitating!' And while that may be true, that doesn't mean it's fitting or appropriate. The Sentai shows have pretty bad OSTs as well, imo. QUOTE='HotHamBoy, post: 4195061, member: 12642'This is wayyyy better.
Especially the moment when Gohan is marching towards Cell as he disintegrates. The contrast there is more effective.Perfectly illustrated by the above comparison. That transition into Faulconer's Vageta theme is sloppy.Again, way more effective. And in the above Cell example there is a moment of silence right before Cell dies that is perfect./QUOTEWow I’m sorry but that does not even remotely touch the dub in my opinion. The Faulconer tracks make that so much more hype.Also to those who say the Faulconer music doesn’t fit the tone of Dragon Ball, how do you feel about FighterZ ost? One of those things that only Americans like, no wonder the original dragon ball didnt 'click' with american audiencies and that is thanks to lackluster voice acting and a lot of censorship.Dragon ball and DBZ were a success all over the world before the USA, there was no need for other OST. Its ok if someone like it, but call it 'superior' to the original one its just WRONG, the intros, the endings, genkidama theme, fighting theme are miles and miles better that anything faulconer produced (the piano vegeta theme is ok Ill give you that).
One of those things that only Americans like, no wonder the original dragon ball didnt 'click' with american audiencies and that is thanks to lackluster voice acting and a lot of censorship.Dragon ball and DBZ were a success all over the world before the USA, there was no need for other OST. Its ok if someone like it, but call it 'superior' to the original one its just WRONG, the intros, the endings, genkidama theme, fighting theme are miles and miles better that anything faulconer produced (the piano vegeta theme is ok Ill give you that). It's just amazing to me looking back at all of these fans of the old dub. I loved it as a kid (I was there in 1999 when the FUNi dub first debuted), but after Kai.I can't go back to the old dub. The inferior acting, the script that doesn't fit the characters, and that music.At this point, I watch Z exclusively in Japanese and Kai exclusively in English.
It works out for the best for me that way. If Kai hadn't been made.I probably would have given up on dubbed DB by now. I know I was close when Kai aired.Also interesting to note that everyone who's mentioned watching the show outside of the areas the FUNi dub aired doesn't really get the appeal of the Faulconer score. One of those things that only Americans like, no wonder the original dragon ball didnt 'click' with american audiencies and that is thanks to lackluster voice acting and a lot of censorship.Dragon ball and DBZ were a success all over the world before the USA, there was no need for other OST. Its ok if someone like it, but call it 'superior' to the original one its just WRONG, the intros, the endings, genkidama theme, fighting theme are miles and miles better that anything faulconer produced (the piano vegeta theme is ok Ill give you that).